Pat Dinizio backed by starbelly
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For the past 22 years, Pat Dinizio has been the lead vocalist, rhythm guitarist, and songwriter for the American rock n' roll band known as The Smithereens. They have toured non-stop since the inception of the band, and have recorded and released many albums throughout the course of their career. Albums that spawned Top 40 radio hits such as "A Girl Like You", "Too Much Passion", "Blood And Roses", "Only a Memory" and "Behind The Wall of Sleep". I initially met Pat when he contacted Starbelly about doing an interview for his XM radio show. He had "This Time" from Starbelly's Lemon Fresh in regular rotation. We went to the XM NYC studio and did over 3 hours on air. After playing a half dozen acoustic starbelly songs, we convinced Pat to grab a guitar and play some impromptu Smithereens classics with us live. Shortly after that, he approached us about joining him on some of his solo tour dates. (yes, the Smithereens are still together). When we do gigs with pat, we open with a set of starbelly material, pat will do a set solo acoustic, then we get up and join him on Smithereens, Beatles, the Who or what ever else he feels like doing. We are still working with pat and are currently setting up several more shows for the fall. I must say he is one of the most interesting people with whom I have had the chance to work. Besides fronting the Smithereens and performing and recording his solo material, he is currently producing an independent film, performing "living room concerts" and single-handedly working on creating a new business model to save the music industry. There is also talk of Starbelly backing Pat on one or two of his upcoming solo albums. To read more about Pat, his career, movie or patrons & artists program, check out his site. ... |
| PRESS: starbelly & Dinizio (2 articles below) |
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hidebound - 10
March 2003 Thanks to my friend Gaelyn who clued me into this little club in Arlington called Iota, I was able to catch Pat DiNizio last night. Great show. The opening band, Starbelly, a regional band hailing from Balmur (that's Baltimore for you not familiar with the way we 'locals' spell it) and Annapolis were great. I was reminded of hearing the Irresponsibles, which reminded me of XTC, but they definitely have their own personality. Great original songs, but I think we all got a kick out of their last song, which they introduced, in a tongue-in-cheek manner, as an ELO song saying something like, "yeah, like a three piece band could sound like a nine piece". And that it "might suck". Gotta love guys who say these kinds of things on stage. The song starts, and I must admit it was sounding pretty freakin' familiar, then they launch full steam into "Livin' Thing". It was a great cover and I don't know about anybody else, but I was grinning like the chesire cat. Starbelly's set ends and one gets ready for the usual 30 minute break between the openers and the headline act, but as soon as Starbelly is finished, Pat walks up on stage with this old acoustic guitar. It looked like a pretty small guitar, but he is a rather large man, so it was probably normal size. If you don't know of Pat, it's almost impossible to watch him and not think that he somehow belongs on the set of The Sopranos. A couple of years ago I bought his first solo record, Songs and Sounds, which is a great jazzy record and I was expecting to hear only a couple of Smithereens tunes. He starts with one Smithereens tune (maybe "Green Thoughts", but maybe something else - sorry, I forgot to write down the track list), and then plays another, and then another, including a great version of "She's Got A Way", which he introduced as being written for his daughter. Knowing this adds a whole new way to hear this song. Lovely. At some point he mentioned being from New Jersey but that he lived in DC for a couple of years in an area of town I've spent some time in myself called Mount Pleasant, which just added a certain "connectedness" to the evening. He probably played a dozen or so Smithereens "unplugged" songs, then brought Starbelly back onto the stage to help him out on some more, including great versions of "Behind the Wall of Sleep" and "Blood and Roses" from the first Smithereens record. Interspersed with all the Smithereens songs were a lot of great, and unexpected covers. A lot of Beatles songs. "Blood and Roses" morphed into "Come Together" and then back into "Blood and Roses" during which a string broke on Pat's acoustic so he borrowed Starbelly's guitarist's stratocaster while the guy from Starbelly changed the string and then came back to swap guitars again. Yeah, all the while they continued playing "Blood and Roses". It was one of those kinds of nights. Then Pat took a short break and Starbelly did an incredible cover of "Band on the Run". The covers continued and at some point included Blue Öyster Cult's "(Don't Fear) the Reaper", one of my faves. These guys were obviously having so much fun on stage it was most contagious. The "last song", which was about five or six songs in rapid fire succession ending with the Smithereens' "Girl Like You" and a final mock arena-rock coda that would have made Blotto proud, started with a cover of America's "A Horse With No Name" with one inspired lyrical substitution - "I can't believe I made a million dollars with this fucking song." Hilarious. Good job guys. |
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Rock and Roll Hootchie Koo! Mr. Baltimore and a Night on the Town! By Rafael Alvarez Mister Baltimore loves rock and roll. |
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